A Directory for All Seasons
by Sandra Fenichel AsherAJT's Directory of Plays of Jewish Interest for Young
Audiences isn't just for kids anymore. In fact, it never was!
Like the four that preceded it, the most recently updated
Directory – available on the AJT Web site in June, 2006 – is
packed with scripts written with young people in mind, but
sure to please entire families.
Since its debut in Washington in 2003, the ever-expanding
Directory has been distributed in hard copy at AJT gatherings,
American Alliance for Theatre and Education national
conferences, and the Bonderman Playwriting Symposium at
Indianapolis's Indiana Repertory Company. It's also available
electronically as an e-mail attachment and has been
posted on-line since the creation of AJT's Web site at
http://www.afjt.com. A link is provided from Drury
University's USA Plays for Kids site as well, at
http://usaplays4kids.drury.edu. Although there's been no
formal survey of the Directory's impact, I've had
"grapevine" reports that it's inspired inquiries, productions,
and even new AJT memberships.
Individuals, theatre organizations, and publishers are welcome
to suggest plays for inclusion by submitting them to
me (sandyasher@earthlink.net) in the body of an e-mail or
as a Word attachment. Those submitting plays are asked to
consult the Directory itself for the standard format (no
more than 75 words), and to limit suggestions to plays written
with young audiences in mind, pre-school through high
school. ( Brighton Beach Memoirsmight well be enjoyed by
young audiences, but it was not written especially for them
and would not qualify.)
Whether you're searching for plays for next season or playwrights
to whom you might like to offer commissions, the
directory contains all you need to get started: contact
information for both playwrights and publishers, plus synopses
of well over 100 scripts, including length, cast size,
and technical requirements.
What kinds of scripts? You name it, we've got it!
There are full-length, straight plays, such as Sharyn
Shipley's The Dybbuk of B'nai Torahand Deborah Lynn
Frockt's The Book of Ruth.
You'll find all manner of musicals, from Frumi Cohen's comical
Frankenteento Hindi Brooks's biblical Captain Noah toVictor Eydus's The Story of Estherset in Soviet Russia.
One acts abound from skits to full programs, from small cast to huge:
David Eliet's Magda and Josephasks the question"What
could I have done?" and plays alone or with its companion
piece, The Spirit of Life.
The delightfully daffy Chelmites show up in several guises,
including Capture the Moonby Ernest Joselovitz and
Michael Bagdasian, Tales for the Rebbe's Tableby Flora B.
Atkin, and my own Wisemen of Chelm.
Modern teenagers grapple with questions affecting their
Jewish identity in Nancy Gall-Clayton's Discovery, Barry
Kornhauser's Stop and Small the Rosens, Robert Caisley's
Letters to An Alien, and my own Today I Am, five one-acts
based on stories by Carol Matas, Lois Ruby, Jacqueline
Dembar Green, and others.
You'll also see adaptations of well-loved books: Barbara
Cohen's Molly's Pilgrim, adapted by Sandra Eskin; Lois
Ruby's Number the Stars, adapted by Douglas W. Larche;
Eric Kimmel's Hershel and the Hanukkah Goblins, adapted
by Linda Kaufman and Carla Silen, to name only a few.
Some of the plays listed are well-known and often produced
(James Still's And Then They Came for Me; Cherie Bennett's
Anne Frank and Me). Others are newer and perhaps awaiting
that all-important first, second or third production
before publication, among them Monica Raymond's HIJAB;
Miri Ben-Shalom's I Want the Whole World to See That I Can
Cry, and, yes, my own To Life: Growing Up Jewish in
America.
So give a look for yourself, and help spread the word about
the Directory – and about AJT — by sharing your copy,
alerting others to the list on-line, or sending it as an e-mail
attachment. It's a valuable resource, it's a recruiting tool,
and it's absolutely free!
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